Hear what they're saying...
Review for Graphic Audio's WARBREAKER:
"The production value of this book is amazing. The music is appropriate and beautiful. The voice acting is fabulous. Fair warning: this book is divided into three parts, and if you buy part one, you will want to have part two at hand.
- Ivy Reisner, SF Site
- Ivy Reisner, SF Site
Reviews for BRAINPEOPLE at Rorschach Theatre:
"Amanda Thickepnny fares better with Ani's defensive Everywoman gags about the strangeness of it all...each performer really blooms in the play's surprising final moments."
- Nelson Pressley, The Washington Post
"Thickpenny's performance is...admirably restrained but wholly convincing."
- Missy Frederick, The DCist
"More successful (is) Thickpenny's turn as the educated, nervous everywoman with the occasional pithy observation."
- Steven McKnight, DC Theatre Scene
"Amanda Thickpenny does a good job as the other guest Ani, a quiet, mousy woman who has some great deadpan rejoinders to the evening's events. In her big monologue Thickpenny does reveal an Ani as bruised by life and as lost in her own fantasy world as (Rosemary).
- David Cannon, The Sentinel
- Nelson Pressley, The Washington Post
"Thickpenny's performance is...admirably restrained but wholly convincing."
- Missy Frederick, The DCist
"More successful (is) Thickpenny's turn as the educated, nervous everywoman with the occasional pithy observation."
- Steven McKnight, DC Theatre Scene
"Amanda Thickpenny does a good job as the other guest Ani, a quiet, mousy woman who has some great deadpan rejoinders to the evening's events. In her big monologue Thickpenny does reveal an Ani as bruised by life and as lost in her own fantasy world as (Rosemary).
- David Cannon, The Sentinel
Reviews for THE DOG IN THE MANGER at The Shakespeare Theatre:
"The actors too, appear to have been matched especially keenly to their roles...You know the collective imagination has been working overtime when even the funny way a character utters an epithet has you thinking: How great was that!"
- Peter Marks, The Washington Post
- Peter Marks, The Washington Post
Reviews for THE BREMMEN MUSICIANS at Classika-Synetic:
"Amanda Thickpenny holds the ensemble together by bravura performances in a series of supporting roles. Rapidly shedding personas and changing accents, she provides much of the show's momentum with the various characters she introduces."
- Michael J Toscano, The Washington Post
- Michael J Toscano, The Washington Post
Reviews for TWELFTH NIGHT at Firebelly Productions:
"Amanda Thickpenny (as Viola/Cesario) and Mikal Evans (Olivia) provide the most nuanced performances of the evening."
- Matt Reville, The Sun Gazette
- Matt Reville, The Sun Gazette